Medea (Oct. 2002)
Surveyor, sausage 
deliveryman, retired cop, 
state agent, parts store 
owner, unemployed laborer: 
all must have thought twice 
before turning back to 
pick her up: but lust is such a
common stay against the
dreary bloodings of age, 
trumping all the suits
we thought to wear. Lust
is that lens which made her
so lurid for the press:
We see the bastards waiting 
for her to catch up and climb 
in, fingers drumming on 
the wheel: feel the indecision 
between forking up twenty bucks
for ten minutes of hateful sex
or peeling rubber back to 
that job or wife where life belongs:
Feel the false privilege in the cab 
of the truck as she climbs 
up and in with heavy sigh,
country songs on K92 
and a pint of Jack Daniels
now empty on the seat:
She palms the sawbucks 
and then pointing back in 
the woods where all the
action takes place: Feel 
the goatish glee sour-mashed
with dread as they wind past 
pine and palmetto to the spot 
where a whore gets fucked 
but good in the broad,
scadling light of a day
which unzips and rips:
The sense of enactment 
is so precise that it takes a 
moment to see .22’s snout 
in her hands: To see beyond lust 
to what’s really there, those pig
eyes meant to plead now
burning with a different 
desire: To hear the gun’s
sudden yawps, two, four 
times, maybe the entire clip: 
Or what follows after all lust 
collapses, the rapine 
complete in the dripping
cab with the sharp smell 
of cordite like sperm in 
the air: To feel at last the 
sense of justice, in turning the 
whole perverse script of lust 
on its hairy, indignant ass. 
We loved the story which emerged
from the trial, reliving the passion 
of her spree. Taking both sides. 
Rooting for her one way,
in some other shadowing her 
every bad step toward her end.
Everyone got what they deserved: 
The rubes get rubbed out, the whore 
our prick in the end. Someone
has to do the job. Mornings driving 
in on 441 I pass a highway hooker 
who’s worked that stretch for years. 
She stands out from the dark 
as if waiting for me in particular. 
Our eyes lock for just one
second — I’m moving fast—
but it’s enough to feel that 
ancient heat inside the 
unkempt, thumbs-out gaze. 
Inside every mark’s a Medea, 
a cistern for paired lusts and 
there for the taking, raking 
hell on any hot, dreary 
afternoon between here 
and the next town, the next
enactment flipping its coin, 
her tale, our fate.

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